Posts Tagged ‘comics’
Writer and editor Janelle Asselin has created an anonymous survey regarding sexual harassment in comics, and I think it’s very important that people involved in alternative/art comics are represented. We read different comics, go to different cons, shop at different stores, work with different publishers, move in different social circles, and those realities should be reflected. Please take the two minutes it takes to fill this out.
Come see this smiling mug in person at the MoCCA Arts Fest at the Armory in NYC, this Saturday and Sunday from 11a-6p. I’ll either be circulating or making a nuisance of myself near Julia Gfrörer at table G4, so make sure to grab me and say hi if you see me. It’s an alternative-comics convention, so I’ll no doubt be hankering to discuss the membership of the ideal Kingsguard.
Every once in a while I like to put together a list of all of Mike Mignola, John Arcudi, and company’s Hellboy/B.P.R.D./Abe Sapien/Lobster Johnson/Witchfinder/etc. trade paperbacks in the order one should read them. Generally that means “in the order they came out,” though there’s the occasional exception (eg. the most recent Abe Sapien trade came out before the most recent BPRD: Hell on Earth trade but should be read after it). Here’s what I’ve got at the moment.
1. Hellboy: Seed of Destruction
2. Hellboy: Wake the Devil
3. Hellboy: The Chained Coffin and Others
4. Hellboy: The Right HAnd of Doom
5. Hellboy: Conqueror Worm
6. BPRD: Hollow Earth & Other Stories
7. Hellboy: Weird Tales Vol. 1
8. BPRD: The Soul of Venice & Other Stories
9. Hellboy: Weird Tales. Vol. 2
10. BPRD: Plague of Frogs
11. BPRD: The Dead
12. Hellboy: Strange Places
13. BPRD: The Black Flame
14. BPRD: The Universal Machine
15. Hellboy: The Troll Witch and Others
16. BPRD: Garden of Souls
17. BPRD: Killing Ground
18. Lobster Johnson: The Iron Prometheus
19. Hellboy: Darkness Calls
20. Abe Sapien: The Drowning
21. BPRD: 1946
22. BPRD: The Warning
23. BPRD: The Black Goddess
24. Hellboy: The Wild Hunt
25. Witchfinder: In the Service of Angels
26. BPRD: War on Frogs
27. Hellboy: The Crooked Man and Others
28. BPRD: 1947
29. BPRD: King of Fear
30. BPRD: Hell on Earth: New World
31. Hellboy: The Bride of Hell and Others
[31.5 Hellboy: House of the Living Dead]
32. BPRD: Being Human
33. Witchfinder: Lost and Gone Forever
34. BPRD: Hell on Earth: Gods and Monsters
35. Hellboy: The Storm and the Fury
36. Abe Sapien: The Devil Does Not Jest
37. BPRD: Hell on Earth: Russia
38. Lobster Johnson: The Burning Hand
39. BPRD: Hell on Earth: The Devil’s Engine & The Long Death
40. BPRD: Hell on Earth: The Pickens County Horror & Others
41. BPRD: Hell on Earth: The Return of the Master
42. BPRD: 1948
[42.5 Hellboy: The Midnight Circus]
43. BPRD: Vampire
44. BPRD: Hell on Earth: A Cold Day in Hell
45. Abe Sapien: Dark and Terrible & The New Race of Man
I left out the humor collection Hellboy Junior and the superhero-crossover collection Hellboy: Masks and Monsters because they’re not in continuity; arguably neither are the two Hellboy: Weird Tales volumes but they’re at least in the spirit of the thing. I listed the original graphic novel hardcovers Hellboy: House of the Living Dead and Hellboy: The Midnight Circus as .5s rather than factoring them into the list proper primarily out of pique that they haven’t been released in paperback yet; to seriously collect the Hellboy series is to frequently feel actively punished by its publisher. No matter — I think it’s tough to argue that this is anything but the best superhero series, broadly construed, of the young century. It’s often frightening and very sad and a blast to read.
Over at The Comics Reporter, Joe “Jog” McCulloch and I talked about the year in the alternative comics business (as opposed to the art form) with Tom Spurgeon. Note: The end of the interview was cut off—it should read “we cannot get out. The end comes soon. We hear drums, drums in the deep. THEY ARE COMING”
I wrote about two of my favorite comics from 2013, Heather Benjamin’s Exorcise Book and Josh Simmons’s Habit #1, for Zainab Akhtar’s year-in-review series at Comics & Cola.
A limited number of copies of Flash Forward, my new minicomic with Jonny Negron, are available via Jonny’s bigcartel store. If you’d like one you can buy one for $4.
Michael Hawkins and I have completed BIEBERCOMIC, our comic about Justin Bieber. You can read the whole thing on one page at the link. We hope you enjoy it.
Fantagraphics is the greatest comics publisher of all time. No company, in any field, has made products that mean more to me than Fantagraphics’. Their co-publisher Kim Thompson died too young and took a lot of counted-on revenue with him, so they launched a Kickstarter that’s in its final hours right now. The rewards are almost parodically plentiful, varied, and worthwhile; I’ll be getting a customized pair of Chuck Taylors, naturally. I urge you to give if you haven’t already — it’s basically shopping, not giving, but either way, the company that basically created alternative comics could use your help.
PictureBox is the greatest comics publisher of the 21st century. Any one of several projects published or edited by publisher Dan Nadel would make him and PBox a publisher for the ages: the work of Japanese experimentalist Yuichi Yokoyama or prescient Providence art-comics collective Paper Rad, editing the canon-disrupting classic-comics collection Art Out of Time or the paradigm-shifting magazine of alt/genre comics criticism Comics Comics. PBox also did a huge service for alt/art comics by situating them in the larger context of visual culture — in publishing collections by everyone from Richard Kern to Hipgnosis to the Hairy Who to Destroy All Monsters in addition to the best-ever books by, say, Brian Chippendale and Renee French, Nadel was making a case for commonalities that might otherwise have gone un-remarked upon. Now Dan’s closing up shop to take a more stable full-time job in the book world, so PictureBox is having an inventory-liquidating 50% off sale on everything it sells. I put together a quick list of some of the publisher’s more narratively straightforward works for a friend who was looking for recommendations along those lines.
POWR MASTRS: I suspect this seminal CF series is destined to be forever unfinished, at least in terms of its original conception as an eight-volume epic or something, but it’s basically an NC-17 Adventure Time.
COLD HEAT: Another Unfinished Symphony, though much less dramatically so; in fact you’re better off skipping the final double issue, which makes this weird huge tonal shift away from the rest of it, the rest of it being “What if someone transformed Loveless by My Bloody Valentine into a young-adult fantasy?” Co-creators Frank Santoro and Ben Jones were tentpole PictureBox franchises.
KRAMERS ERGOT 8: In some ways this is the least innovative of the super-duper-influential Kramers anthologies edited by Sammy Harkham, even the least successful, but it’s the most straightforward in terms of the emphasis on nice lengthy narratives from the contributors, and the most thought-provoking in terms of trying to suss out what was included and why, and the coolest-looking in terms of that far-out ’70s science-textbook look.
NEGRON: A great little showcase of the comics and pin-ups of the postmillennial Vaughn Bode.
EVERYTHING TOGETHER: This is a collection of all the short stories by Sammy Harkham, an alternative cartoonist in the grand Fanta/D&Q tradition.
GARDEN: There’s no story here, per se — it’s just a bunch of people in strange costumes navigating an enormous manmade amusement-park-like garden complex and discussing what they see. But Yuichi Yokoyama’s art is just super super appealing to me — he makes every movement seem as dynamic as a Jack Kirby spread, and the overall effect is like going on a strange guided tour of a depopulated Super Mario Galaxy.
It’s worth contemplating how the death of Kim Thompson forced Fantagraphics to crowdfund its continued existence, and how a life change on Dan Nadel’s part shuttered PictureBox entirely. The alt/art comics infrastructure depends on the heroic efforts of individuals; lose them and the loss can rarely be weathered, with the recent shift of the Brooklyn convention currently called CAB to an exclusively Gabe Fowler-run enterprise from one he shared with Nadel and Bill Kartalopoulos being a rare counterexample.
That said, altcomix is very good at rising from the ashes. Tom Devlin’s Highwater Books, the most direct aesthetic antecedent for PictureBox in terms of their books’ high-end design flourishes and signal-boosting of the Fort Thunder/Providence scene, spawned any number of publishers after it folded: Secret Acres and Bodega Books were both founded by former Highwater employees, Devlin himself went on to partially Highwaterify Drawn & Quarterly, and so on. Dan keeping the doors open at PBox long enough to place as many of his artists and projects with other publishers as possible tells you an awful lot about the quality of his character as well. So, we shop, and we hope.
I will be attending tomorrow’s Comic Arts Brooklyn festival at Brooklyn’s Mt. Carmel Church. There I’ll be debuting two books that I wrote: Flash Forward, drawn by Jonny Negron, and In Pace Requiescat, drawn by Julia Gfrörer and inspired by “The Cask of Amontillado” by Edgar Allan Poe. I don’t have a table per se, but I imagine I will spend some time selling In Pace Requiescat at table D18 and selling Flash Forward at (I think?) tables U8/U9 or wherever else Jonny winds up. You will likely also find me loitering with my Destructor compatriot Matt Wiegle at table D34 as well. If you’re looking for me, I look like this, so please say hello!
Last week, Frank Santoro interviewed me about the state of comics criticism for his column in The Comics Journal. Frank and I were concerned about the seemingly dwindling pool of people writing substantial reviews of alternative/art comics and all the attendant problems — the still smaller number of women writing about them despite the huge number of women making and reading them, the lack of critical evaluation provided to the newest generation of artcomix makers, the outsize influence of the foibles of those of us who are left, and so on. The interview sparked responses from Ng Suat Tong, Heidi MacDonald, and Frank himself that are worth reading, as are the comment threads attached to all those posts (particularly this comment by Peggy Burns); I also got a lot out of the twitter exchange I had with Sarah Horrocks.
Julia Gfrörer and I will be debuting a new comic at CAB. This is a preview image for it.
Recently on Vorpalizer I reviewed Emily Carroll’s masterful new horror comic “Out of Skin.”
And I wrote about being terrified by Clive Barker’s Nightbreed but watching it anyway, which is how it became my first real horror movie.
“The True Black,” a short horror comic that William Cardini and I contributed to Josh Burggraf’s anthology Future Shock #4 (buy it here), is now available to read in its entirety on The True Black, my comics tumblr.
I started a new tumblr where I’ll be posting my comics. I hope you’ll follow it.
The fifth and penultimate installment of BIEBERCOMIC by me and Michael Hawkins has been posted. In this chapter, Justin Bieber encounters One Direction and The Wanted in the Great Grey Room, where they strip nude.
Recently I reviewed Coyote Doggirl by Lisa Hanawalt and Nux Yorica by Cameron Hawkey for Vorpalizer. It’s really remarkable how much strong artcomics work is being made without ever needing touch a single paper page to read it.
Jonny Negron and I made a new comic called Flash Forward. It will debut at CAB on November 9.