Posts Tagged ‘Comics Time’
In my Webcomic Wednesday series, I wrote about the art of Heather Benjamin (which I obviously love) and The Long Journey by Boulet, empty calories but tasty, and “About the Author” by Pete Toms (“Repetition works, David. Repetition works, David.”).
I wrote about the early-’90s Marvel trading cards for Vorpalizer, explaining how for kids like me were our primary exposure to comics at all, and what that means.
I wrote about the history of Wolverine for Rolling Stone, marking the occasion of the release of the new movie The Wolverine by tracing how the Len Wein/John Romita Sr./Herb Trimpe–created, Chris Claremont/Dave Cockrum/John Byrne–developed character went from throwaway antagonist to one of the most popular in all of fiction.
And I wrote about Saman Bemel-Benrud’s webcomic Abyss for Vorpalizer, exploring its handling of information technology as a vector for the fantastic.
Over at Vorpalizer, I wrote about A Wizard of Earthsea by Ursula K. LeGuin, and how it derives much of its strength from its depiction of physical and emotional isolation, a relatively rare thing for fantasy. I think it struck a nerve with people.
I also wrote about Gabrielle Bell’s July diary comics, 2013 edition. I think they’re the best she’s done.
Over the past couple of weeks I’ve written about Memory Palaces by Edie Fake, “The Sea-Bell, or Frodo’s Dreme” by J.R.R. Tolkien, “The Ghoul Man” by Jaime Hernandez, and “The Cask of Amontillado” by Edgar Allan Poe for Vorpalizer. Check them out.
I reviewed Kate Beaton’s superhero parody comics for Vorpalizer. Such a fun cartoonist to talk about, because you can extrapolate general principles from small details. And those eyes!
I’ve been busy over at my dayjob blog.
Over at Vorpalizer, I wrote about Jordan Crane’s excellent weird Western comic “The Hand of Gold,” and about my favorite short story, Clive Barker’s “In the Hills, the Cities.”
I wrote about Ben Jones & Frank Santoro’s unfinished neopsychedelic masterpiece Cold Heat for Vorpalizer. To be played at maximum volume.
Please read the comic; it’s gorgeous, funny, troubling, and powerful, and you can read it all on a lovely single scrolling page.