The final Halt and Catch Fire of Season One begins with the show’s single most likeable sequence: Things are tense in the Clark household, where Gordon and Donna have evidently not recovered from the COMDEX debacle. Dishes are washed, beers are drunk, TV is watched, all joylessly, silently. Finally, Gordon attempts to settle in on the couch where he’s been sleeping – but Donna has had enough. “Get in there!” she demands, directing Gordon to the bedroom she insists she’ll be sharing with him tonight. “I’m still very mad at you,” he replies, pointing at her, and surrendering. She giggles. They walk off to bed, Gordon stomping and swinging in faux-fury. The two of them have decided that their fight about Donna’s borderline infidelity and Gordon’s job-related neglect was about real issues – ones that pale in comparison to the even realer love and respect they share. As Donna puts it in code later in the episode, when Gordon presents her with the engagement-slash-decoder ring he promised her nine years back, “I darf you very gerp.”
The Gordon-Donna scenes in this late-blooming show’s season finale — ‘1984” — aren’t just the show’s most human moments to date. They echo the legendary Apple Super Bowl ad that gives the episode its title, and like the Cameron lookalike who smashes the oppressive IBM machine in that commercial, they represent the triumph of imagination, emotion, and empathy over cold hard calculation. Gone is the Halt that forced its characters into empty confrontations week in and week out to drum up drama on the cheap – the equivalent of the Cardiff Giant’s faster-cheaper computing model. In its place? A handsome, clean-shaven, confident, self-actualized Gordon, now head of the company where he was once just another face in the crowd. But more importantly, he’s a Gordon we actually give a shit about.
Much to my surprise, Halt and Catch Fire wound up being a pleasurable, emotionally sticky show — and it’s the rare prestige drama in which the women are happier and more fulfilled than the men. I reviewed its season finale for Rolling Stone.