“Game of Thrones” thoughts, Season Seven, Episode Four: “The Spoils of War”

In “The Spoils of War,” these irresolvable conflicts get cranked up to an even more unbearable level. Jaime is a repentant villain deep into his redemption arc. Bronn is a mercenary who won over characters and audience alike with his wit and wisdom. Dany is a messianic conqueror who’s saved countless lives; the very existence of her her magical beast Drogon is a miracle. How can anyone feel comfortable choosing sides? Sure, House Lannister are clearly the heels in this war, but a victory that reduces beloved characters to ash would be impossible to enjoy.

Writers creators David Benioff and D.B. Weiss and director Matt Shakman offer us precious little shelter from the zero-sum nature of this bloody game. Twice, they stage one-on-one conflicts between the major characters: First when Bronn stares down the beast with his massive “scorpion” crossbow; then when Jaime grabs a spear and charges the Khaleesi. These are shout-at-the-screen, cower-on-your-couch moments. Even though it appears everyone involved makes it out alive both times, it’s to the filmmakers’ credit that you feel inches away from the death of a credit-topping character during every second of screen time.

And if you’re afraid, hey, you’re not the only one. After all, nothing sells the menace of the horselords – their tactics based on the real-world Mongols, who cut through armies from China and India to Iraq and Eastern Europe like a hot knife through butter – or the shock-and-awe power of Dany’s pet monsters like seeing seasoned warriors like Jaime, Bronn, and Randyll Tarly (Sam’s tough-as-nails dad) scared completely shitless for minutes on end. It’s so rare for actor Jerome Flynn look anything but cocksure on this show that his panic during the assault should come with a trigger warning. Meanwhile, Nikolaj Coster-Waldau has long been an undervalued member of the cast, but he powerfully conveys the Kingslayer’s terror, horror, and grief at watching his men get massacred. When he makes that almost-sure-to-be-fatal suicide run on Daenerys, it feels as much like his version of “suicide by cop” as a last-ditch effort to save the day.

I reviewed last night’s excellent episode of Game of Thrones for Rolling Stone.

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