Like the personalities inside the mind of David Haller, the superhero and horror genres coexist in a way that’s difficult to untangle. Superman, the ur-superhero invented by the Jewish-American creative team of Jerry Siegel and Joe Shuster, has often been linked by scholars (though never by Siegel and Shuster themselves) to the myth of the golem. (“Frankenstein” author Mary Shelley is said to have been inspired by golem as well, although she never said so herself.) The mild-mannered scientist Bruce Banner turns into a raging behemoth as the Incredible Hulk, an echo of Dr. Jekyll and Mr. Hyde. Some heroes have powers that are outright demonic in nature, from Etrigan the Demon to the flaming-skull cyclist, Ghost Rider. “Blade,” the 1998 film about a vampiric hunter of the undead was the key precursor to the modern era of superheroic pop-culture hegemony.
And we haven’t even begun counting the villains, a rogues’ gallery of grotesques who evoke virtually every monster and murderer from myths and movies alike. None, of course, is more prominent than the Joker, Batman’s arch-nemesis, whose permanent grin was drawn directly from the expressionist silent horror film “The Man Who Laughs.”
In other words, the swashbuckling and world-saving are nice and all, but sometimes a good superhero story just wants to scare the pants off you.