It may be about a religion, but The Path has become business-y. I don’t mean that in the sense of Cal, Sarah, and company pursuing the financial expansion of the Meyerist movement. I mean the business each character is required to go through to fill up an episode. Think of it this way: You’ve got X number of storylines, and Y number of characters, and you need to do something with all of them, right? A good show makes this look easy and effortless even when the painstaking care involved is readily apparent. The characters’ interests, hopes, drives, and fears feel like they emerged from within a recognizable and cohesive personality. Their interactions have a continuity with previous interactions. They do things because they need to do them, not because the show needs them to do them to run out the clock. When those elements erode, you wind up with a show that feels like everyone’s doing busywork — moving from place to place and person to person, picking fights and patching things up, changing and re-changing their minds about important topics just to have something to do. It gets business-y. And that’s where The Path has led.