“Mr. Robot” thoughts, Season Two, Episode Three: “eps2.1_k3rnel-pan1c.ksd”

Tonight, after over a season of portraying a character with bug-eyed, lock-jawed, pharmaceutical-numbed restraint, Rami Malek cut loose.

To the pseudo-orchestral strains of “Lovely Allen” (a mid-’00s music-blog hit by a band with a name not fit to print), Elliot Alderson goes on a sleep-deprived tear of Adderall-induced optimism and excitement. He’s filmed in fast forward, or with multiple versions of himself walking one behind the other, as if a single body’s not enough to contain his manic good cheer. When he climbs stairs, they light up beneath his feet. When he washes the dishes, the sun gleams off a plate like the sparkle of a cartoon character’s smile. When his pal Leon talks to him about “Seinfeld,” he starts screaming things like “It’s classic George, am I right?” in response. (“I don’t like this, bro,” Leon deadpans in return, a fine and funny moment from the M.C. turned actor Joey Bada$$.)

The freakout concludes at the basketball court as the hacker genius turned paranoid recluse sounds his barbaric yawp: “WOOOOOOOO, SLAAAAAAAM DUNNNKKK!!!” It’s a thing of goofily cathartic beauty …and it’s almost immediately cut off at the knees when he turns to us and his narration says, with weary resignation, “You’re not buying any of this either.”

This week’s episode of “Mr. Robot” takes great pleasure in these moments of unexpected, self-effacing humor. Given that the main rap against the show is its grim tone — as if seriousness and self-seriousness are conterminous phenomena — it’s a useful tool for the series to have in its arsenal. On a surface level, this installment is concerned with some of the bleakest events in the story to date: the discovery of the old-school phone hacker Romero’s corpse by his confederate Mobley, the latter’s increasing conviction that their group has been marked for death by the fearsome organization the Dark Army, Elliot’s desperate attempts to overdose himself out of his Mr. Robot persona’s clutches, his garrulous new pal Ray’s tragic and violent back story. But the writing, the performances, and the filmmaking make it seem like all involved are having the time of their lives, off-camera anyway.

I reviewed last night’s Mr. Robot, which was delightful, for the New York Times.

Tags: , , , ,