“Daredevil” thoughts, Season Two, Episode Three: “New York’s Finest”

The most compelling thing about Daredevil and Punisher’s rooftop heart-to-heart is what doesn’t get said. As many critics have noted, their argument centers on the relative lethality of their respective brands of vigilante justice: The Punisher kills, Daredevil doesn’t. Anywhere outside a superhero story, this is a pretty thin reed on which to hang a system of morality, since Daredevil routinely beats the living shit out of people, and tortures someone for information at least as often as Sarah Koenig posts new episodes of Serial Season Two. No matter how much Matt waxes eloquent about hope and redemption, forces that Frank snuffs out when he takes life, isn’t this a ridiculous, hair-splitting argument to have with a masked man who hurts people in the name of helping people?

Well, yes, it is — and just as it always has, the show knows this. “I don’t do this to hurt people,” Matt tells Frank, who responds with skepticism: “Yeah, so what is that, just a job perk?” “I don’t kill anyone.” “Is that why you think you’re better than me?” Frank presses. “No.” “Is that why you think you’re a big hero?” “It doesn’t matter what I think or what I am,” Matt insists “Is that a fact?” When pushed on the question of whether beating people is heroic, Matt simply refuses to answer. It’s just like when instead of telling Wilson Fisk that yes, one man really could change the system, he simply knocked the dude out. Daredevil the show knows that Daredevil the heroic figure is a mess of contradictions and impossibilities, and to its credit it never shies away from this, nor offers a half-assed explanation or excuse. It goes out of its way to point this out repeatedly, both in dialogue scenes like this one, and in its use of violence, which is uniformly ugly rather than antiseptically thrilling. Like Game of Thrones, it brings to the audience’s attention the brutality that genre pieces of its ilk usually would like you to forget, and like Game of Thrones it gets lambasted under the assumption that depiction equals exploitation, if not endorsement. But it’s the only superhero show I can think of that asks us to think about what happens when people hit people to stop them hitting back.

I wrote about Daredevil’s willingness to stare vigilantism straight in the face for Decider.

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