“Fargo” thoughts, Season Two, Episode Ten: “Palindrome”

When it comes to television soundtracks, there are good music cues, and there are great music cues, and Fargo Season Two has had plenty of both. And then, my friends, there’s “War Pigs.” Black Sabbath’s orgiastic antiwar anthem enters “Palindrome,” the show’s stunning season finale, as a literal nightmare—an accompaniment to Betsy Solverson’s vision of a glorious future of Costcos and Game Boys and family dinners, shattered by the hatred and violence that runs so deep in this land’s veins it’s unlikely to ever be pumped clean. It’s a fucking mighty moment, a sign that showrunner Noah Hawley, director Adam Arkin, and company have an unshakeable grasp of the themes of their show and the period pop-culture they’ve used to advance them. And it’s a prophetic moment as well. The song foretells the day of judgment when the rulers responsible for the slaughter are made to answer for their crimes, as all their plans and strategies come to naught. If you want a picture of the future for the characters we’ve spent the season following, from kings and conquerors to victims and vanquished, you’ve got one.

I reviewed the Fargo Season 2 finale for the New York Observer. This was really some season.

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