“Hannibal” thoughts, Season Three, Episode Two: “Primavera”

Il Mostro’s crimes were crazy, albeit not quite as crazy as NBC censors blurring out nudity in Botticelli’s paintings while letting people be graphically mutilated onscreen. But they also show that even this criminal supergenius had a period where, like any artist, he learned by copying from the best before moving on to make his own masterpieces. Case in point: the gigantic heart Hannibal fashioned out of the twisted limbless corpse of stupid sexy Antony Dimmond, the smarmy scholar who saw through Lecter’s false identity last week. Though impressive enough on its own, like all great art its full potential is only unlocked when it’s put in front of its intended audience, Will Graham. He envisions its transformation into a repulsive antlered avatar of Hannibal, in a sequence that’s part Hellraiser’s rebirth scene, part Beetlejuice’s sculpture garden, and part Salvador Dalí’s Soft Construction with Boiled Beans.

I reviewed this week’s typically marvelous episode of Hannibal for Decider.

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