“Halt and Catch Fire” thoughts, Season One, Episode One: “I/O”

Maybe you can already see the problem here: Who gives a shit about another master-of-the-universe type treating his industry of choice and everyone in it like Tony Montana’s proverbial giant chicken just waiting to get plucked? (We’re using the dialogue as it would air on AMC, of course.) Sure, Lee Pace is a handsome guy – he has the face of an ecstatic saint in a Renaissance portrait – but we’ve been watching Jon Hamm perfect this routine for seven years now. Halt runs into the same problem the nascent personal-computer industry it chronicles is facing: Why innovate when it’s so much easier to duplicate? Complete with a mysterious past, and an opening title card that explains the name of the show! Something got reverse-engineered here, but I think Matt Weiner should be more worried than IBM.

Abort, Retry, Fail? I wasn’t crazy about last night’s series premiere of Halt and Catch Fire, which I reviewed for Rolling Stone.

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2 Responses to “Halt and Catch Fire” thoughts, Season One, Episode One: “I/O”

  1. Mary Pitschmann says:

    I also was not crazy about the show. The second show wasn’t much better. If you want to watch a punk girl dance around a lot and a good looking guy use sex as his manipulation toy on everyone then this is the show for you. Not really a great plot; actually fairly boring.

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