I’ve contributed another guest strip to Stoner Alien; this one is a hard-hitting, topical, political work.

Page 17 of “Destructor Meets the Cats” has been posted.

You can read the whole story so far on one continuously scrolling page by clicking here.

I contributed a guest strip to Stoner Alien, a new webcomic made by an anonymous person who clearly knows what they’re doing but chooses to ignore this knowledge for fun. I hope you like it.

Writing for NBC News’ The Grio, Kyle Harvey takes maybe the most in-depth approach to me and Andrew White’s Drake comic “Hottest Chick in the Game” to date. Check it out.

A while back, Isaac Moylan and I made a comic called “The Side Effects of the Cocaine”: the true story of the cocaine psychosis that led David Bowie to the creation of his Thin White Duke persona from 1975-1976. The comic now lives at its own tumblr. I hope you enjoy it.

If anyone out there is interested in drawing a very short, very straightforward, slightly smutty Daniel Clowes pastiche for me, please let me know. Thank you!

The Huffington Post’s Priscilla Frank interviewed me and Andrew White about our Drake comic, “Hottest Chick in the Game.” Well, how about that!

For my review of last night’s Breaking Bad, please visit Rolling Stone. I was, like, oddly unfazed by this one?

Lahav Harkov at the Jerusalem Post and codacarolla at Metafilter enjoyed “Hottest Chick in the Game” and thought their readers might too. I hope they were right!

Art Levy at Prefix and Margaret Eby at the Forward enjoyed Hottest Chick in the Game and said so publicly, for which I am grateful.

Also, Mark Frauenfelder of Boing Boing linked to my interview with Uno Moralez at The Comics Journal. The more people who see Moralez’s work, the better.

Jenny Nelson at the A.V. Club, Matthew Perpetua at Buzzfeed, Chris Coplan at Consequence of Sound, B. Michael Payne, Maré Odomo, a solid 30, 35% of the people on this Kanye West message board thread, and, uh, IlluminatiWatcher are saying nice things about “Hottest Chick in the Game”.

And it looks like I somehow missed linking to the kind words that Joe “Jog” McCulloch had for “The Cockroach,” me and William Cardini’s contribution to Thickness #3, in his Comic Books Are Burning in Hell podcast with Tucker Stone, Matt Seneca, and Chris Mautner.

Page 16 of “Destructor Meets the Cats” has been posted.

You can read the whole story so far on one continuously scrolling page by clicking here.

I interviewed Jesse Plemons, who currently plays Todd on Breaking Bad and previously played Landry on Friday Night Lights, for Rolling Stone. I thought this was an eye-opening one — Plemons said at least two things about Todd that I hadn’t considered before but which made the character click for me in a new way, while his observation that there seems to be a big new wave of people watching Friday Night Lights for the first time right now (which would include me, if I ever get around to watching the two discs I’ve had out from Netflix since god knows when) confirmed something I’d been noticing, too. I think what has happened is that people have now had the time watch their way through the big HBO and AMC dramas and are looking for what to watch next, and FNL is right at the top of that “what to watch next” list.

Andrew White and I made a comic about Drake called “Hottest Chick in the Game.” We hope you enjoy it.

For my review of tonight’s episode of Breaking Bad, please visit Rolling Stone.

I listed my 100 favorite albums from 1996-2011 for the People’s List at Pitchfork. The image above is a spoiler.

I’m honored to be moderating the Gilbert Hernandez panel at SPX in Bethesda, Maryland this year. It’s on Saturday, September 15 at 3:30pm. Hope to see you there!

I interviewed Uno Moralez for The Comics Journal. He’s one of my favorite working cartoonists, and this is his first English-language interview.

* The 2012 Ignatz Award nominees have been announced. Insofar as Jaime Hernandez’s work in Love and Rockets: New Stories #4 is recognized adequately, or even at all, this cements the Ignatz as the United States’ best comics awards slate. Psyched to see SuperMutant Magic Academy by Jillian Tamaki get a nod, too.

* Major comics creators’-rights lawsuit news: Tony Moore is seeking co-authorship of The Walking Dead in federal court, referring to his former collaborator Robert Kirkman as “a proud liar and fraudster who freely admits that he has no qualms about misrepresenting material facts in order to consummate business transactions”; and the federal judge providing over the Shuster/DC Superman lawsuit has canceled a coming hearing in order to proceed directly to ruling on the case without first hearing oral arguments.

* Portland-area residents in particular may wish to contribute to the Kickstarter for The Projects, a new model for a comic con based around actually making and displaying work at the show rather than just selling it.

* Obviously I’ve been waist deep in Breaking Bad for weeks now; the better pieces I’ve seen on it include Alyssa Rosenberg’s review of this past week’s episode and essay on the issue of Skyler White, emotional abuse, and culpability, and Maureen Ryan’s hour-long podcast interview with Vince Gilligan, who as always seems like just about the nicest, most unassuming, most candid a showrunner can get.

* This news has been out and about for a while in various forms, but it’s official: Secret Acres will be debuting The Understanding Monster Book One by Theo Ellsworth at this year’s must-attend SPX.

* But did we know that Aidan Koch’s The Blonde Woman would be collected and released in September 2012, or is that new news?

* Alright, a new Cindy & Biscuit strip by my collaborator Dan White!

* One of my favorite music writers on one of my favorite bands: Tom Ewing reviews the Roxy Music Complete Studio Recordings box set. I think it’s just about dead on in every particular: the choice to emphasize and celebrate Ferry right up front, holding up Avalon as at least the equal of even the best of the first five records, rightly locating Manifesto and especially Flesh + Blood as first drafts for the subsequent masterpiece, and especially calling attention to the tracks where the full band “reach full steam.” Seriously, Roxy could really tear the shit out of a song when that was what they were going for — for pure power, on tracks like “Editions of You” or “Mother of Pearl” or “Out of the Blue” or the almighty “Virginia Plain” they could go toe to toe with just about anyone.

* Then, because it’s my birthday or something, Ewing runs down his four favorite tracks (aka the “Mount Rushmore” meme) for Roxy Music, T. Rex, Led Zeppelin, and the Beatles.

* Sheesh — this Mark Richardson piece on being terrified out of his wits as a kid by The Elephant Man proves, if there was any doubt, that Mark Richardson is really good at writing about David Lynch. He should seriously consider going full monomania about it.

* Zach Baron’s Grantland piece on Matt Damon’s Bourne trilogy and its Jeremy Renner-starring follow-up The Bourne Legacy is thoroughly fine; this passage is particularly fine.

In The Bourne Identity, director Doug Liman drew on his dad’s experience prosecuting Oliver North in the wake of Iran-Contra to make a film, only one year after 9/11, that is still one of the best and most thoughtful visions of Americans abroad in this century — Damon’s Bourne was a man in a foreign country with a gun in his hand and no idea how it got there. The Robert Ludlum source novels, Gilroy once said, “were about running to airports.” But Liman, with Gilroy’s help, made a movie about lost identity: an action film in which killing is the symptom of the problem, rather than the solution to it.

It’s also worth noting his take on Renner’s performances in Dahmer, The Hurt Locker, and The Avengers, even if you disagree with it. (For what it’s worth, my review of the Matt Damon Bourne movies and the Daniel Craig Bond movies is one of my favorite bits of film writing I ever did.)

* Tom Spurgeon had a big 50th birthday blowout for Stan Lee & Steve Ditko’s Spider-Man the other day; highlights include Spurgeon’s 16-point meditation on Amazing Spider-Man #1-150 and Kiel Phegley on Spider-Man’s cultural ubiquity.

* Captain America by Rick Remender, John Romita Jr., Klaus Janson, and Dean White: a character I like written by a writer I like, pencilled by a penciller I like, inked by an inker I like, and colored by a colorist I like, but man is the plot a departure from the Ed Brubaker material that made the Joe Simon/Jack Kirby character work as well as, if not better than, he’s ever worked before.

* Domitille Collardey’s Wreckhall Abbey is off to a very strong start.

* Kali Ciesemier’s take on Josie Packard for the Damn Fine Coffee Twin Peaks zine is reliably beautiful.

* Why not take a look at a Ross Campbell drawing of the Teenage Mutant Ninja Turtles fighting some Mousers?

* Lingerie Witches: some dumb fun smut from Simon Hanselmann.

* I’m glad the video for A$AP Rocky’s “Purple Kisses” came out on the same day I put up that picture of Jonny Negron’s new book.

* Jason Adams reviews David Cronenberg’s Cosmopolis and sums up Alfred Hitchcock in one gif.

* Finally, we’ve gotten some terrific Destructor fanart from Aviv Iscovitz and Jordan Shiveley. We’re always up for more.