Your Love and Rockets 30th Anniversary thought of the day

Jaime Hernandez is comics’ greatest maker of standalone images. His blacks, his typography, his sense of style, the drama of his line, the sense of balance and momentum even within a single image, his use of powerful moments to convey character, the whole nine. Out of all his peers in the ’80s and ’90s alternative comics movement — the stuff I think of as High Alt, the solo anthology series cartoonists who eventually coalesced around Fantagraphics and Drawn & Quarterly, Xaime and Beto and Ware and Burns and Clowes and Brown and Doucet and Bagge and Tomine and Sacco and Woodring and French — his makes him uniquely suited for the Tumblr era, when the rebloggable, context-free image is king. As such he stands the best chance of elbowing his way into the new canon currently being established as a reaction against High Alt and its forebears, consisting mainly of high-impact, visually dazzling genre comics whose work thrives in a one-at-a-time context — Kirby and Moebius and Otomo and Miller and Chaykin and Manara and pre-alt Mazzucchelli and McCarthy and Graham. But his best images often come within the flow of a story in addition to pin-ups, posters, covers, and title pages, and his interests broaden the canon-of-spectacle beyond solving problems through violence and/or sexy stylishness. They work equally well as vehicles for devastating emotional reveals, or as t-shirts.

Love and Rockets, the great serial comic by Gilbert, Jaime, and sometimes Mario Hernandez, is celebrating its 30th anniversary at the San Diego Comic-Con International this week. Inspired by Tom Spurgeon, this week-long, daily series of posts will highlight some of my favorite things about Los Bros Hernandez and their comics. For more information, click here.

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