Carnival of Thrones

* Game of Thrones Season Two starts next Sunday, April 1. I have one of my trademark secret Game of Thrones projects lined up and hope to share more about that with you soon, but in the meantime, as you might expect, I’ve been blogging up a storm at my dedicated A Song of Ice and Fire blog, All Leather Must Be Boiled. Here are some recent highlights. (I’ve linked to a handful of these before, but figured putting them all in one place could be useful.)

* First, a link that’s not to my blog at all: This piece in the Atlantic by James Parker is the single best piece of writing on A Song of Ice and Fire or Game of Thrones I’ve ever read. It’s beautifully constructed, it nails the strengths and appeal of the series, and it approaches them from unexpected directions. Marvelously done.

* Next, there are a metric ton of preview and trailer videos available: Here’s a newish trailer and character profiles for Renly, Joffrey, Daenerys, and Jon; and here’s the best trailer of the bunch and character profiles for Robb and Stannis.

* George R.R. Martin and the Westeros.org team are prepping The Lands of Ice and Fire, a boxed set of maps that go into more detail than ever before. Quite excited about that.

* George Stroumboulopoulos interviews George R.R. Martin for Candian TV, the first interview I’ve come across that addresses Martin’s conscientious objector status during Vietnam, his thoughts on pacifism, and the way his beliefs about war influence his depiction of it in the books. Red meat to me, naturally.

* What I’m worried about, and not worried about, in Season Two, from the perspective of a reader of the books. Inspired by this excellent roundtable with various ASoIaF/GoT experts on that very topic. And here’s what concerns me most about the show’s storytelling in general, in any season; it’s probably not what you think.

* The most recent episode of my Boiled Leather Audio Hour podcast with Stefan Sasse and special guest Amin from A Podcast of Ice and Fire focuses on A Song of Ice and Fire-related games; I provide the non-gamer perspective.

* A quick, kind of angry post on incoming Game of Thrones writer/producer Vanessa Taylor and the importance of hiring women writers.

* An ill-fated attempt to rewatch the first season with my wife, who has neither seen the show nor read the books, prompted some thoughts on the role and reception of cruelty in art. When you’re as familiar with the material as I now am, it can be helpful to see the series’ abuse of women and children and animals through fresh eyes. See also this post linking attacks on children by authority figures in Game of Thrones and The Walking Dead to the recent real-world massacre of sleeping children in Afghanistan — extend it to Trayvon Martin, too, because I think we should. A culture of violence will inevitably find a way to target the most defenseless among us, like water finding its level.

* I was impressed by Westeros.org’s interview with Catelyn Stark actress Michelle Fairley, historically not my favorite performance/writing combo on the show.

* Here’s a long post on John Carter and the perils of adapting a geek-friendly property from one medium to another.

* My spoiler policy, for life in general.

* Does prophecy negate free will? I’m pretty proud of the analogy I cooked up to explain why the answer is no.

* By the way, I’ve seen the first four episodes of the season. Do I know what will supplant “sexposition” as the Game of Thrones trope thinkpiece generator of choice this season? You bet I do.

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