Kiel Phegley’s analysis of Marvel’s current publishing situation in light of its many recent cancellations, layoffs, budget cutbacks and so on is one of my favorite pieces of comics writing in recent memory. It’s one of the first such articles, if not the first (and if not the first then certainly the most thorough), to put these moves together with the publisher’s concurrent drive to pump as many issues as possible out of its top creators and characters, and to consider what this means for developing or non-marquee talent in particular. Fascinating stuff if you’re an industry watcher. Grab a beer and read. And don’t miss Tom Spurgeon’s response, either.
Tags: comics