Carnival of souls: Special “San Diego Comic-Con follow-up” edition

* San Diego news and views continue to filter in…

* I missed this when it went up last week, but the great Tom Spurgeon suggested several potential stories to watch at this year’s Comic-Con just before it opened — I’d have been most interested in items 3, 4, 5, 7, and 8. The analysis is still worth reading, as is today’s follow-up post in which Spurge offers his take on how the con went this year.

* ICv2’s Milton Griepp gave calculating the total size of the digital-comics market the old college try at the ICv2 Conference at SDCC. The numbers he came up with are small, although they are growing rapidly. That stands to reason: Most companies simply don’t have those avenues open for business the way that making more money from them would require. But that’s obviously changing.

* Topless Robot’s Rob Bricken wonders: If a promotional video is screened at Hall H, but no one on the internet can see it, does it make a sound?

* I’m curious about the Jason Aaron/Marc Silvestri Incredible Hulk relaunch. And I’m super-curious about whoever its colorist is. That fire is lovely.

* In other news…

* Jesse Moynihan’s Forming Vol. 1 is now available from Nobrow Press. It looks gorgeous.

* My Robot 6 colleague Tim O’Shea interviews new B.P.R.D. artist Tyler Crook, who’s got some Guy Davis-sized shoes to fill with his first published professional comics gig.

* Tom Brevoort on what fans are entitled to:

Writers are writers because they know how to do what audiences don’t know how to do–tell stories that affect you and move you. It’s way tougher than it looks. Storytelling isn’t a democracy, you don’t get a decision in how the stories go. All you get is your one vote, with your dollars or your feet.

* Rest in peace, WRXP 101.9FM New York.

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