* DC’s line-wide relaunch/day-and-date digital push has dominated industry news since its announcement last week. A few links of note:
* The line will get a new flagship title in the form of Geoff Johns and Jim Lee’s Justice League. That should sell like gangbusters.
* DC’s mostly taking an “if it ain’t broke, don’t fix it” approach to its two most successful franchises: The creative teams behind both the Green Lantern and Batman lines stay more or less the same, though several of them trade titles.
* Marvel’s Tom Brevoort emerged as one of the move’s most persistent and persuasive defenders — I mean, he’s not cheerleading the thing, but he’s not lambasting it or laughing it off, and is defending it against some fans who are doing so. One caveat: He said this stuff before the creative-team announcements started rolling out.
* Finally, Kiel Phegley rounds up retailer reaction; any such piece that includes such divers hands as Floating World’s Jason Leivian, DCBService.com’s Cameron Merkler, and Midtown Comics’ Gerry Gladston is well worth your time.
* If you’ve been wondering how Michael DeForge manages to be so prolific, his first entry in the Comics Journal’s Cartoonist’s Diary column has your answer: 16-hour workdays. And if you’ve been worried, here’s how he’s been keeping busy lately.
* He’s also got a strip of his usual excellence called “Teen Wolf” up at What Things Do. It’s almost like a riff on Dave Kiersh.
* Bow before the might and majesty of Gary Groth’s interview with Joe Sacco for The Comics Journal #301.
* Dan Nadel talks about differing approaches to reprinting old comics. If you’re familiar with Dan’s approach you’ll know what side he comes down on, but he’s quite fair with and accepting of several different styles, and notes the difference between reprinting comics and reprinting comics art.
* The Comics Grid’s Esther Claudio takes a look at a page from Craig Thompson’s Good-bye, Chunky Rice; the Comics Grid’s customary high-quality close reading ensues. I’m certainly stealing the phrase mise en page.
* I used some new Spider-Man comics as an excuse to link to every single superhero comic Kate Beaton has done. I think the Kraven piece for Strange Tales 2 is the best of the bunch.
* Speaking of inspiring altcomix tumblrs, I spotted this image from Panayiotis Terzis’ new book Time Tunnels at Same Hat!
* Wow, Ron Regé Jr. sure can draw cats! All of his commissions look well worth the cash, actually.
* Always glad to see new comics from my friend and collaborator Isaac Moylan.
* I fully support Jillian Crowther’s concept of “pinball music”: shiny, slightly overcooked rock pop circa 1979-1981, a la “Ah! Leah.” It reminds me of my own personal place-based subgenres, centered on my memories of the defunct Long Island roller rink Laces (freestyle, electro) and the heterosexual side of Delaware’s Rehoboth Beach (Steve Perry, things that sound like “Edge of Glory” by Lady Gaga, which of course would also work on the gay side of Rehoboth Beach).
* George R.R. Martin certainly keeps busy. I can’t imagine his detractors will be super happy about the order of items on his to-do list.
* I’m extremely happy my “Happiness Is a Focused Totality of My Psychic Powers” gag made it into the latest Marvel Super Heroes What The–?! video, featuring Professor X and Magneto’s madcap ’60s adventures.
* This supercut of the 100 Greatest Movie Threats is hilarious, not gonna lie to you. Still, I’m disappointed it doesn’t include “Let her go, or I’ll fill your guts so full of lead you’ll be using your dick for a pencil” from The Three Amigos or the bit from Casino where Nicky Santoro explains to the banker what it is he does. (Via Ed Gonzalez.)