Comics Time: X’d Out

X’d Out
Charles Burns, writer/artist
Pantheon, October 2010
56 pages, hardcover
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Even more so than in Black Hole, the images Charles Burns creates here are small, dense, and inescapable. An abundance of tightly gridded pages filled with repetitive head-on close-ups or point-of-view shots. An avoidance of establishing shots unless they’re designed to mimic what our protagonist Doug sees, nine times out of ten with him on the left-hand side of the panel, our eyes’ transit across the image locked to his own. Narrow rectangular panels consisting of nothing but unbroken fields of disembodied color — some conveying something clear, like maroon panels for the drug-induced unconsciousness brought on by maroon pills, others whose meanings are less clear but no less demanding of our attention, denying us access to anything but that particular color for that particular panel. The recurring use of photographs, sealing a single moment in time. The arising of recurring images unbidden into Doug’s head, single glimpses of scars, cigarette burns, black cats, fetuses, a nude, holes. The way those images weave themselves in and out of both his ostensible real life amid art-punks in the late ’70s and his dream-state/hallucination/extradimensional excursion/whatever it is, and the way that implies that they’re some sort of indelible fabric binding his existence together, like his life could be reduced to these eggs and holes in the wall and black-haired women and black-haired cats and drowning animals. The images are stronger for Burns’s more intense focus on the finite and discrete, on individual moments and objects. Their gravitational pull colors and distorts everything else we see. In much the same way that Doug’s plastic Tintin mask carves away extraneous detail until all we’re left with is the idea of a face, X’ed Out is a story of how both memory and dreams boil our lived experience down to the iconic essentials, however unpleasant they may be. This book could just as easily and accurately have been called 0’d In.

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