Emphasis on “personal best” this time, most definitely. This is by no means anything close to an authoritative Crimso mix–it simply contains songs from the four albums I own: In the Court of the Crimson King, which is the debut with the famous album cover everyone’s seen and features Greg Lake on vocals with lyrics by Peter Sinfield; and Larks’ Tongues in Aspic, Starless and Bible Black, and Red, the three 1972-1974 albums featuring several configurations of musicians but all including the core lineup of KC mastermind Robert Fripp on vocals and keyboards, John Wetton on bass and vocals, and Bill Bruford on drums and percussion, with lyricist Richard Palmer-James and violinist David Cross. But while my overall knowledge of King Crimson may run an inch wide, my affection for this material is a mile deep. I listen to the tracks on this mix more than pretty much any other heavy guitar-based music I own. For some reason, when I’m feeling particularly charged up (especially with creative energy), this music is exactly what I want to hear. I think this is a solid (and brief–under an hour!) introduction to what makes the band’s material from this era so dynamic, intelligent, and lacerating.
Cigarettes, Ice Cream, Figurines of the Virgin Mary: A Personal Best of King Crimson
The Great Deceiver / Lament / Red / The Court of the Crimson King (Including The Return of the Fire Witch and The Dance of the Puppets) / Fallen Angel / 21st Century Schizoid Man (Including Mirrors) / Easy Money / Starless