Dead wrong

Like an ugly duckling, Day of the Dead took some time to get the love it deserved (and even then it has remained a black sheep amongst its brethren) – a scenario not uncommon to works of art that tell people what they simultaneously need to know and want not to hear.The film was – and to a large extent, remains – a victim of its own implicit place in film history; like the occasionally artful summer blockbuster, Romero’s third “Dead” entry is routinely examined and dismissed less for its own qualities than its “failure” to conform to the expectations unfairly assigned to it sight unseen, here as a zombie movie sequel indebted to two highly lauded works come before. Night of the Living Dead and Dawn of the Dead were both brilliant and easily among the greatest horror films ever made, but that Day of the Dead doesn’t follow the expected trilogy arc of capping off its saga with all-out climactic spectacle is hardly an inherent strike against it. Part of this degrading misconception lies in the fact that Romero’s original vision was cut short by budgetary restraints over issues with the increasingly more powerful MPAA rating system, the final result being far from the originally conceived “Raiders of the Lost Ark with zombies”, and gore hounds subsequently decrying the relative lack of visceral bloodshed (regardless of the fact that, during its brief moments of splatter, Day features some of the sickest zombie action ever filmed).

Rob Humanick on Day of the Dead.

Is this really accurate? I know that supposedly the initial audiences were let down by the movie’s failure to be as large-scale in comparison to Dawn as Dawn was to Night, but I’ve never heard anyone talk about it on those terms in any present-day conversations. I’ve certainly never heard anyone “decry the relative lack of visceral bloodshed,” since it’s easily the goriest, most disgusting entry in the trilogy. The reason most people I know who don’t like it don’t like it is that they feel it’s boring and slow and sloppily paced and the characters are poorly written and acted.

I happen to like it more each time I see it, but in the defense of those who don’t, I hardly think this is because “they can’t handle the truth!” or what have you.

One Response to Dead wrong

  1. Quote of the day

    Watching the film once again, Romero’s carefully calculated deconstructions on social woes of the time seem most brilliant in their simultaneously identifying the film as a distinctly American work rooted in the cultural anarchy of the 1970’s as well a…

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